Ua hānau ʻia ʻo ia ma Cuernavaca i ka makahiki 1964. Ua hoʻomaka ʻo ia i kāna hana aʻo ma waena o ka ʻepekema e ka noiʻi ʻana i nā mea kanu pāhone.
I ka makahiki 1992, i ka hoʻolauleʻa ʻana o kāna hōʻike kiʻi solo mua, ma ka hale hōʻikeʻike ʻo Sloane-Racota, ua hoʻokokoke ʻia ʻo Eduardo e kahi mea hōʻiliʻili hanohano, nāna i ʻimi a haʻi iā ia: "E pau ana kāu pena kiʻi ʻana ..."
"ʻO ka hōʻiliʻili o nā kiʻi pena - haʻi mai ʻo Claudio Isaac iā mākou, e hōʻike ana i kēlā manawa - ʻo ia ka huahana o nā mea i ʻike ʻia - hoʻomaha, wehewehe ʻia - o kahi huakaʻi lōʻihi i nā ululāʻau o Chiapas a me Veracruz ma ke ʻano he mea noiʻi, a ʻoiai ua ʻoi aku ka manaʻo ma mua o ka wehewehe. ʻaʻole hiki ke noʻonoʻo e lawe iā lākou mai ka pōʻaiapili figurative: poeticized a decanted, he ʻāina lākou i ka hope. Hoʻoulu ʻia nā canvases me ke aniau māmā o ia wahi ululāʻau, hele pū nā lālā haʻalulu me nā laina, a ʻike ʻia nā mea i hoʻomau i ka noho ʻana i kāna hana a hiki i kēia lā. No laila ua pūʻiwa ʻo Rincón a huhū pū ʻia e ka ʻōlelo hōʻuluʻulu a ka mea hōʻiliʻili, ʻoiai he ʻano maka a kū ʻole ia. Ke holo nei ka manawa, hāʻawi ʻo Rincón ke biologist i ka mea pena, a ʻo ka mea hope loa, me kāna intuition ma ke ʻano he mea hana, maopopo he mau mea pohihihi e noho like, ʻaʻole hiki ke wehewehe ... I kēia lā, ʻae ʻo Eduardo Rincón i ka mea hōʻiliʻili nāna i hoʻopuka i kahi wānana, pololei paha ... "
Ua lanakila ʻo Eduardo i nā makana, e like me ka mea ma ka XIII National Meeting of Young Art, ma Aguascalientes, 1992-1993. Ua wae ʻia ʻo ia ma ka Diego Rivera Biennial a kono ʻia e ka Boreal Art Nature Center, Montreal, Kanada, ma ke ʻano he mea pena kiʻi ma ka hale.
ʻO kahi mikiona āna i hoʻolaʻa ai i kahi ʻāpana maikaʻi o kāna manawa i ka hana hou ʻana o nā lāʻau amate, kahi i loaʻa ai iā ia ka pepa no nā codices; ʻo ka poʻe Tlahuicas, no ka laʻana, pono e hoʻokupu i ka poʻe Aztecs 46,000 ʻōwili pepa i ka makahiki.
Punawai: Aeroméxico Tips No. 23 Morelos / spring 2002
