He waiwai nui nā mea hoʻokani pila ma mua o ka Hispanic i nā mea kani, e like me ka pahu, i hele pū me nā hulahula a ko mākou mau kūpuna. I kēia lā, a mahalo i ka mahalo i ka moʻomeheu mele mua-Hispanika, lohe mau mākou i ka huéhuetl a me ka teponaztli ma waenakonu o nā pā, i nā hoʻolauleʻa haipule kaulana, i nā ʻahamele, i nā moʻolelo a me nā kiʻi ʻoniʻoni.
ʻO ka moʻomeheu o ko mākou mau kūpuna he waiwai i ka moʻomeheu, sublimated e nā koena o nā pōhaku i unuhi ʻia i loko o nā hale aliʻi hanohano e kū nei i kēia mau lā i nā pyramids a me nā wahi archaeological, kahi ʻia e nā fret a me nā haku mele i ʻike ʻia hoʻi i nā mural a me nā codices o kahi kiʻiona kiʻi Mexico. ʻAʻole pau ka hoʻoilina ma aneʻi, ukali ʻia e nā ʻono a me nā pilau i hoʻopili ʻia me kahi ʻano kikoʻī.
Eia nō naʻe, he mau manawa wale nō ke kumu o nā kani o Mexico kahiko i hoʻomanaʻo ai, kahi e hōʻoia ai nā hōʻike i kākau ʻia he mea nui ka mele i nā manawa ma mua o ka Hispanic. Hōʻike kekahi mau codice i ka hilinaʻi o nā moʻomeheu kahiko i nā mea kani, ʻaʻole wale ma ke ʻano he ala o ke kāhea ʻana a i ʻole ke hoʻomana ʻana i nā akua, akā ua lawelawe lākou i ka lehulehu e hoʻokumu i ka kamaʻilio me kā lākou mea make. No laila, ma mua o ka hiki ʻana mai o ka Paniolo e noho kolone i kēia mau ʻāina, ua loaʻa i ka poʻe ʻōiwi kahi waiwai nui o nā mea kani, i waena o lākou ka pahu, me ka rimbombar o kona mau leo nani e kau pū ana me ke koʻikoʻi o nā hulahula kupaianaha o ko mākou mau kūpuna.
Akā ʻaʻole nā pahu kani nā mea kani wale nō, akā he ʻano percussions like ʻole kā lākou a me nā hopena ʻē aʻe o ka manaʻo diaphanous e hoʻopuka hou i nā kani kūlohelohe o ke kaiapuni, no laila, me ka hoʻohui i nā kani maʻamau o ka bass a me ka treble, kahi kiʻekiʻe a paʻakikī polyphony o nā unahi a hiki i kēia lā, ua ʻōlelo ʻia, paʻakikī e hoʻopaʻa inoa, ʻoiai ʻaʻole i loaʻa i nā mea hoʻokani mele Hepanika kahi ʻōnaehana intonation i hoʻohui ʻia, akā ua pane i ka noʻonoʻo a pono e hana hou, ma o nā pāʻina, nā hana a me nā hana, kilokilo. o kēlā manawa. Hoʻokumu kēia mau kani i ke kumu o ke mele no ka hopu holoholona, ke kaua, nā hana maʻamau, a me nā hana, a me nā mele erotic a me nā mele i hoʻohana ʻia i nā hoʻolauleʻa e like me ka hānau ʻana, nā bapetizo ʻana, a me nā make.
ʻO nā mea kani ʻē aʻe e like me ka ayacaxtli a me ka chicahuaztli, kahi i hoʻopuka ai i nā hawanawana lahilahi, ʻoiai nā aztecolli, a me nā tecciztli he pū kani i hoʻohana ʻia ma ke ʻano he hōʻailona o ke kaua. Ma waena o nā mea kani i loaʻa iā mākou ka ayotl, i hana ʻia me nā pū manu kuhukukū, a me ka huéhuetl a me ka teponaztli, e hana mākou me nā mea hope e ʻike i kekahi o ko lākou ʻano.
Ua ola maikaʻi ka huéhuetl a me ka teponaztli i ka lanakila ʻana o Sepania. ke hōʻike ʻia nei kekahi mau hiʻohiʻona i ka National Museum of Anthropology. I kēia mau lā, mahalo i ka hoihoi i ka moʻomeheu o nā mele ma mua o ka Hispanic e nā mea hula a me nā mea hoʻokani pila, a me ka hoʻāʻo ʻana o kahi ʻimi i kēia wā i loaʻa nā mele a nā kūpuna ma ke ʻano he ki, nā mea hana o ka wā i hala e hana hou ʻia nei.
Pēlā, lohe hou mākou i ka huéhuetl a me ka teponaztli ma waenakonu o nā pā me nā mea hulahula a puni lākou, i nā hoʻolauleʻa haipule, i nā ʻahamele, ma nā moʻolelo a me nā lipine kiʻiʻoniʻoni. ʻO ka hapa nui o kēia mau mea ponoʻī kāna hana ponoʻī a i ʻole hana kope pono ʻole i nā mea maoli. ʻaʻole naʻe e hiki ke hana ʻia me ka ʻole o ka lima akamai o kahi mea pena kiʻi kaulana, e like me Don Máximo Ibarra, kahi mea hana lāʻau kaulana mai San Juan Tehuiztlán, ma Amecameca, ka mokuʻāina ʻo Mekiko.
Mai kona wā kamaliʻi, ua hoʻokaʻawale ʻo Don Máximo iā ia iho ma ke ʻano he mea hana lima koʻikoʻi a koʻikoʻi hoʻi nāna i hāʻawi iā ia iho i kēia ʻoihana i waiwai i nā aʻa o nā leo o nā kūpuna, e hana ana me ka lāʻau a hoʻomaʻamaʻa i kāna mau keiki a me nā mea kalai ʻē aʻe i aʻo i ke kālepa. ke hāʻawi nei i ka hoʻohiki i ʻōlelo ʻia ʻaʻole e nalo ka art. No ka hoʻohaʻahaʻa haʻahaʻa, me ka naʻauao i kona mau lima, hoʻopuka hou ʻo Don Máximo i nā waiwai mai kahi honua mamao, kahi e hui ai ka mea maoli me ka mea maoli ʻole, e unuhi ana mai kahi kumu lāʻau maʻalahi ʻaʻole wale ke ʻano akā nā leo ikaika a me nā kani o kahi ʻāina i hōʻike iā ia iho i kona nani āpau ma o lākou lā.
ʻIke ʻia e ka mea hoʻokani pila a me ka mea hōʻiliʻili o nā mea kani ʻo Víctor Fosado a me ka mea kākau ʻo Carlos Monsiváis, Don Max, mai ke kalai pōhaku a i ka mea hana kiʻi o nā kiʻi a me nā kiʻi kiʻi, a ma hope o ke kālai lāʻau, ka mea nāna i hana nā make, nā masks, nā diabolō a me nā puʻupaʻa, ua lilo ʻo ia i He loea ʻo ia i nā hana noʻeau a ʻo kekahi o nā mea hana lima e hana nei i huehuetl a me teponaztli i kēia manawa. Ua hōʻike aku kāna mau mea ʻike iā ia no ka manawa mua i kahi huéhuetl me ke kālai ʻana o nā jaguars a me kahi teponaztli me ke poʻo o kahi ʻīlio. "Ua makemake nui wau iā lākou," i hoʻomanaʻo ai ʻo Mr. Ibarra. Ua haʻi lākou iaʻu: he mamo ʻoe na kēia mau huapalapala a pau ”. Mai ia manawa, a aneane 40 mau makahiki, ʻaʻole i kāohi ʻo Don Max i kāna hana.
ʻO nā mea hana āna e hoʻohana ai he ʻokoʻa a me kekahi o kāna hana ponoʻī, e like me ka auger, nā tweezers no ka huhuki ʻana, nā burins, nā wedges, nā ʻūlū o nā nui like ʻole, nā papapihi e wehe ai i ke kī, nā ʻoki e kālai i nā kihi, nā ʻano e lawelawe ana i hollow i ka kumu lāʻau. Aia a loaʻa iā ʻoe ke kumu, i hiki ke pine, waiho ʻia lākou e hoʻomaloʻo no 20 mau lā; a laila hoʻomaka ia e puka i waho, e hāʻawi ana i ke ʻano o kahi barela a me nā ana i hoʻokumu ʻia; ke loaʻa ka mānoanoa o ka lua, ukali ka nui o ka hoʻomaʻemaʻe. Koho ʻia ke kaha kiʻi a loaʻa me ka penikala ma ke kumu, i mea e hoʻoulu ai i ke kālai noʻeau. ʻO ka manawa i lawe ʻia ma kahi o ka hapalua makahiki, ʻoiai ka mea kaukaʻi ʻia i ka paʻakikī o ke kaha kiʻi ʻana. I ka wā kahiko hoʻohana ʻia ka ʻili dia a i ʻole ka puaʻa hihiu no ka pahu, i kēia lā e hoʻohana ʻia nā ʻili bipi mānoanoa a lahilahi paha. ʻO nā kiʻi kope o nā codices a i kāna hana ponoʻī paha, kahi o nā poʻo o nā nahesa, nā lā Aztec, nā ʻaeto a me nā kiʻi ʻē aʻe e hoʻopuni i ka honua kuhihewa o nā mea kani.
I ka manawa mua ua hōʻike ʻia ka paʻakikī nui e nā kani, ma o ka ʻike ʻana i nā kī, ke kī lima, nā mea hoʻokomo a me nā poʻo o ka teponaztli, akā me ke akamai a me kahi ʻano aʻo aʻo lyrically, hoʻomaka iki ʻia nā kumu lāʻau liʻiliʻi unuhi ʻia i loko o nā leo. Hoʻoikaika ʻia ʻo Mr. Ibarra e ka luaipele a me nā wahi a puni. "No ka hana ʻana i kēia ʻano hana - haʻi mai ʻo ia iā mākou - pono ʻoe e ʻike, ʻaʻole i kēlā me kēia kanaka ka hiki. Kōkua ka wahi iā mākou no ka mea kokoke mākou i nā mea kanu, nā punawai a ʻoiai e hoʻolei ka lua pele i ka lehu a mākou e aloha nei iā Popo, ʻike mākou i kona ikaika a me kona ʻano waiwai. A inā no nā mele ʻōiwi Hispanic ka mea nui i kamaʻilio me ke kūlohelohe, kahi a nā mea mele i hoʻolohe ai i ko lākou leo e hoʻāʻo e hoʻomaopopo i ke mele kūpono, ma o ka mālie o ka makani, ka mālie hohonu o ke kai a i ʻole ka ʻāina a hāʻule ka wai, ka ua a me nā wailele, maopopo iā mākou ke kumu e hiki ai iā Don Max ke hoʻolilo i kāna mea i hana i nā kani mystical.
Ma ka wāwae o ka lua pele, i kahi wahi bucolic a hoʻopuni ʻia e kāna mau moʻopuna, hana hoʻomanawanui ʻo Don Max i ka malu. Ma laila e hoʻolilo ʻo ia i ka kumu lāʻau i huehuetl a i ʻole teponaztli, i nā kūpuna a me nā kani; pēlā mākou e lohe ai i nā leo hohonu o kahi wā i hala, hoʻokalakupua a pohihihi hoʻi e like me nā mele o ka pahu.
