Ua hoʻonāukiuki ka wā kolone i nā mea kākau Sepania e hoihoi i New Spain. E ʻike hou aʻe e pili ana i nā puke o kēia manawa ...
I ka holomua ʻana o ke kolona, ʻoi aku ka kikoʻī i ka wā Baroque, ʻo nā ʻĀina ʻelua, ʻo ka Old a me ka New, ka mea i like pū kekahi me kekahi. Ua makemake nā mea kākau Paniolo he nui e hele mai i nā ʻāina hou: Ua noi makehewa ʻo Cervantes iā ia i nā kūlana like ʻole i nā aupuni o nā ʻāina ʻē, ua hoʻomākaukau mua ka mea mystic kiʻekiʻe loa ʻo John John o ke Keʻa i kona haʻalele ʻana i ka wā i pani ʻia ai ka make, a me nā mea kākau ʻē aʻe, e like me ʻO Juan de la Cueva, Tirso de Molina a me ke akamai ʻEugenio de Salazar i hala i mau makahiki i nā ʻāina hou.
I kekahi manawa ua hoʻohui ka mea pena kiʻi i kona kū mau i ka mana o kāna mau hana i ka moʻomeheu baroque o ka New World, eia naʻe ka mea kākau moʻolelo o New Spain he mau exponents i Carlos de Sigüenza y Góngora, Sor Juana Inés de la Cruz, Bernardo de Balbuena, ʻO Juan Ruiz de Alarcón, ʻo Francisco Bramón, ʻo Miguel de Guevara -Michoacan i kapa ʻia me ka sonnet kaulana "ʻAʻole e hoʻoneʻe kuʻu Akua iaʻu e aloha iā ʻoe", ʻaʻole ia mai San Juan de la Cruz, a mai Santa Teresa hoʻi - a ʻo Fray hoʻi. Juan de Torquemada.
Ma ke kamaʻilio ʻana i ka baroque moʻokalaleo hiki iā mākou ke hana i kekahi mau noʻonoʻo: Malia paha ʻo ka hiʻohiʻona i haʻi nui ʻia o ka baroque moʻokalaleo, ʻo ia paha ka ʻokoʻa. ʻO kēia chiaroscuro, ka mea i hana ʻia ma ke ʻano he paradox, contrad contradive a me ka hoʻohana ʻana i ka thesis a me ka antithesis, aneane he hōʻailona pono ʻole o ka hoʻohana baroque o ka ʻōlelo: e noʻonoʻo, no ka laʻana, ko Son Juana Inés de la Cruz sonnet: “al Haʻalele kēlā me ka mahalo ʻole iaʻu e ʻimi nei i kahi ipo, / ka ipo e ukali nei iaʻu haʻalele wau i ka mahalo ʻole / aloha mau wau i ka mea e aloha ʻino ai kuʻu aloha; / hoʻomāinoino a kaʻu aloha e ʻimi mau ai ", i loko o ia mea, ʻo ke kumumanaʻo a me nā huaʻōlelo i hoʻohana ʻia he hōʻike piha loa ia o nā mea ʻē aʻe. ʻAʻole koi ka mea kākau i ke kumu maoli, kahi manaʻo a ʻaʻole ma ka Renaissance a me nā Baroque e like me kēia lā, akā i ka ʻaoʻao ʻē aʻe, ʻo ka manaʻo demímesisoimitatio, ka mea i moakāka Sepania "e like, e hoʻohālikelike i nā loina a i nā hana paha," he mau manawa ka mea i hāʻawi i ka mea kākau i kāna invoice a me kona kūlana maikaʻi. Ua hōʻoia kēia i ka erudition a me ka hanohano o ka mea i kākau i kahi hana. Ma ka laulaha, hōʻike ka mea kākau moʻolelo i kāna mau kumuwaiwai a hōʻike i nā mea kākau nāna i hoʻohuli iā ia. ʻO kahi laʻana, ua ukali ʻo Sor Juana i nā kulekele maʻamau o ka pāʻālua hoʻohālikelike baroque: ke pili i ka hoʻohanohano ʻana i kekahi, e laʻa me ka hihia o ka Allegorical Neptune, hoʻohālikelike ʻo ia iā ia me ke akua kahiko. ʻO Lyric ke ʻano kaulana loa o ka manawa, a ma waena ona he wahi kūikawā kā ka sonnet. Ua mahi ʻia kekahi mau ʻano ʻē aʻe, ʻoia hoʻi: ka puke moʻolelo a me ka hale keaka, ka dissertation a me nā leka laʻa a me nā hana ʻē aʻe o nā kiʻi liʻiliʻi. ʻO nā mele mele Baroque, me kā lākou mau hana hoʻopunipuni, hoʻohana i nā paradoxical, nā antithetical, nā contradictory, nā exaggerated, ka kaʻao, ka hopena moʻokalaleo, nā hopena weliweli, nā wehewehe pūʻiwa, ka hoʻonui ʻana. Hana lākou i nā pāʻani moʻomeheu a me nā quirks e like me nā anagrams, emblems, maze, a me nā hōʻailona. ʻO ka ʻono no ka hoʻonui e alakaʻi i ka artifice a i ʻole, ʻōlelo wahaheʻe mākou e ʻōlelo ai, ʻo ia hoʻi. Hiki i nā kumuhana ke ʻokoʻa akā i ka laulā ua ʻōlelo lākou i ka ʻokoʻa ma waena o ka manaʻo a me ke kumu, ka naʻau a me ka naʻaupō, ka lani a me ka po, ke aloha a me ka mālie, kūlohelohe, ka lapuwale o ke ola. , ka mea i ʻikea a me ka ʻoiaʻiʻo, ka mea akua i kona ʻano a pau, ka moʻo kaʻao, ka mōʻaukala, ka ʻepekema, ka pono, ka ʻepekema, ka mea hoʻomākeʻaka. Aia kahi koʻikoʻi culteran a me kahi ʻono i haʻi ʻia no ka haʻi ʻōlelo.
ʻO ka ʻike he honua ka honua, he masquerade, kekahi o nā lanakila o ka Baroque ma loko a ma waho o nā puke.
